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Specifications and Screenshots of the Caimari Organ
Versions: Original |
"Standardized"
Features:
- a 3-manual, historical Spanish organ, the only Spanish organ preserved
in its original form including the short octave on the whole Iberian
penisula!
- Great Organ (Organo mayor) with full and rich Principal
chorus as well as cornets and typical Spanish Trompeteria (horizontal
Trumpets chorus).
- Positiv (Cadireta) with solo stops as well as with a small
Principal chorus used to contrast the Organo mayor.
- Récit (Teclat d'Alt) with a solo
Cromorn, Cornet and Flutes, also having a smaller Principal
chorus providing an "echo" to the Organo mayor.
Screenshots
| Original version |
Blower control page |
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Left Jamb - |
- Right Jamb |
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Virtual console
- a not too wet sample set (sometimes called "moist" sounding,
not wet, not dry) - the intensity level of the reverberation is rather low,
though original.
- available in 24bit / 48kHz resolution.
- the Palma St. Agusti organ tuning chart added to the
temperament folder of Hauptwerk to be used in conjunction with this
sample set. The temperament is equal with an a = 408
Hz.
- The extended version of the sample set makes the
organ look more "standard European" allowing so for other organ music
styles, not just early Spanish music.
- Besides the original Spanish layout of the
instrument, another ODF is supplied where the specification and the
layout of the instrument was changed to a "standard" organ shape.
- Version 2: multiple releases support (three levels), dual
touch LCD support added. Voicing retouched.
RAM Consumption:
- full organ at 16 bit, 48kHz ... 3.7 GB
(memory compression enabled)
Specification
| Organo mayor
(the stops are divided into bass and discant parts): |
| Flautat de cara |
[Principal 8'] Its decorated pipes
are located in the Facade on the right side. |
| Flautat doble |
[a second Principal 8', 2 or 3
ranks in discant part!] - may be detuned in Hauptwerk to produce a Voce
umana beating stop. It is to be found in the Facade on the left side. |
| Octava |
[Octave 4'] |
| Octava doble |
[a second Octave 4', multi-rank in
discant] |
| Dotzena |
[Quint 2 2/3'] |
| Quinzena |
[Rauchquint 2' + 1 1/3' + 1'] |
| Alemanya |
["German" mixtur 5
ranks] |
| Simbalet |
[Cymbel, 3 ranks - with a third] |
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| Nazarts |
[Cornet 3-5 ranks] |
| Tolosana / Cornetilla |
[Great cornet 3-10 ranks] |
| Nazart 19a |
[Nasard 1 1/3'] |
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| Trompa ae batalla |
[8'] |
| Clarins |
[8', discant] |
| Trompa magna |
[16', discant] |
| Clarins d'octava |
[4', discant] |
| Baixons |
[4', bass] |
| Baixons |
[second 4', bass] |
| Clarins 15a |
[2', bass] |
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| Teclat d'Alt
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| Flautat de fusta |
[wooden flute 8'] |
| Octava |
[Praestant 4'] |
| Octava tapada |
[Bourdon 4'] |
| Quinzena |
[Rauchquint 2'+ 1 1/3'] |
| Tapadet |
[stopped Flute 2'] |
| Plens |
[mixture with a third] |
| Tolosana |
[Cornet, 2ranks, dividet to bass/discant] |
| Cromorn |
[8', divided to bass/discant] |
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| Cadireta |
| Flautat |
[Principal 4'] |
| Flautat tapat |
[Gedackt 4'] |
| Octava |
[2'] |
| Quinzena |
[1' + 2/3'] |
| Simbalet |
[Cymbel, 3 ranks, no third] |
| Nazart 19a |
[1 1/3'] |
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| Pedal |
| Contres |
[16', always on] |
| Contrabaixons |
[Bombarde 8'] |
| Pedal is hardcoupled to Organo mayor |
You may read
a short lovely
lecture on the historically aware stop usage by Dr. Stuart Frankel.
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